I love my job. The students are bright, happy people from all over the world who for various reasons are trying to improve their English. My students and I form a mutual admiration society. Being from other countries they are not used to teachers who are so demonstrative, funny and outwardly enthusiastic. Being from a public school background, I am not used to students who are so polite, cooperative and appreciative.
My co-workers are mostly as eccentric as I am. Their sensibilities match mine. We share insights and yuks. During my lunch break I stroll down to the Bay. With favorable winds its about a 90 second walk. The school is located a half a block from San Francisco's famous Fisherman's Wharf.
The day flies by. At 5:20 (three hours earlier on Friday) I am finished and, unless I get a ride from a co-worker. Make the hour long commute home. Upon entering our humble abode I usually have an about an hour's worth of work to prepare for the next day.
After households chores and begging my wife to make dinner, there is only about two hours left before exhaustion takes hold and my head hits the pillow.
I am quite happy. The work is wonderful and it is a great feeling to be of use to the world. The money is enough to fend off starvation but nothing upon which to build a fortune. My current riches come in the form of a family I love, good health and a rewarding profession.
Of course nothing comes without a price. I'm only making it to the gym twice a week and have little time to indulge my passions for film and writing and especially when the twain meet on this very blog.
I've recently thought it would be good for the soul if I should start to find time. Yes, readers far and wide have enjoyed my prolonged absences from blogging but I have to think of myself sometime.
One problem I had with Finney's book and many other fictional renderings of time travel is the notion that one must be careful not to alter the future by your actions in the past. Poppycock. If you go back in time you are back in the original time and whatever you do will have already effected the present. For all we know it was a time traveler who screwed the pooch and allowed John Wilkes Booth to kill Lincoln.
I believe that also helps address the Grandfather paradox. This is the assertion that you can't go back in time and kill your grandpa because then you'd never be born. Exactly. That doesn't mean you cannot travel back, it just means if you do gramps is safe. For one thing, who would go back and time and want to kill their granddad? And you couldn't if you tried. Logic, people, logic.
Time and Again is what some call "a good read." To me this is code that its light, quick reading that doesn't really nourish your intellect. I'm atoning now be reading Dostoevsky's Crime and Punishment.
The Trouble With Harry (1955). It's labeled a dark comedy but I think it really to be about relationship. Sure there is the artist and the young recently widowed woman (John Forsythe and Shirley MacLaine) but I really enjoy watching the old tug boat captain and the spinster (Edmund Gywnne and Mildred Natwick). I also enjoy the shopkeeper, Wiggy (Mildred Dunnock). It's the people and their doings together, both with ulterior motive and out in the open, that give the story its charm. TTWH also is one of the prettiest films ever made, a veritable feature length ad for visiting New England in autumn.
Ed Wood (1994). It is not only my favorite collaboration of director Tim Burton and actor Johnny Depp, but my favorite film of each as an individual. Martin Landau is a scene stealer in his Oscar winning performance as Bela Lugosi, but Depp is perfect as the totally sincere, totally weird and totally wretched director. A lovable loser of the highest order. Indeed the whole cast is wonderful, including Bill Murray. I've been quite disappointed with Burton's work since Ed Wood. He seems too enamored of his own style and it gets in the way of his own story telling. Depp is a terrific actor who takes too many easy star roles. His continual reprising of the Jack Sparrow character has helped his humongous bank account but I believe has depleted his standing as a serious actor. Then there was that silly looking movie he did with Angelia Jolie. The previews screamed "bombs away" and the reviews confirmed it. Wood was a true demonstration of his subtlety and charm as an actor. The role of the real life worst ever director had to be a big challenge and his ability to play it straight and still be so funny is exceptional.
I've also been re-watching some of Finnish director Aki Kaurasmaki's films and they get better with repeat viewings. I've been promising myself that I'd dedicate an entire post or two to my fellow Finn, so will say no more for now. Perhaps after I see his next film, Le Havre, which comes to our town in a fortnight.
The Bride of Frankenstein (1935) a rare case of a sequel out doing the predecessor. It is a miracle that director James Whale fit so much into a 70 minute film. The Monster (Boris Karloff), the Doctors, Frankenstein (Colin Clive) and Pretorius (Ernest Thesiger) and the bride herself (Elsa Lanchester) along with the many screams of Una O'Connor. It is all campy fun but so superbly done and with such a lot of story in it. B of F is also an example of the economical style of directing so prevalent in the 1930s. Full rich stories were often told in well under 90 minutes.
Of course the B of F serves as a wonderful lead in to tomorrow, Halloween, a night that Dr. Pretorius might say is for "Gods and Monsters!"