16 December 2023

Yuletide Fun on Film, Another Edition of My Favorite Christmas Films

Fanny and Alexander

Welcome to the 1,000th iteration (
he’s exaggerating) of my favorite Christmas films. If you go to the Christmas label on the side of the blog you can find hundreds (again, he’s exaggerating) of other such posts. I believe the exercise worth repeating as tastes change, new movies are seen and changing perspectives worth adding. 

We live in an age in which there is a proliferation of really lame Christmas movies. The Hallmark channel has been cranking them out for about ten years now and Netflix has gotten into the act. They feature sappy story lines, d list actors and shoot-the-script directors. I happily ignore those. Fortunately there are the tried and true with occasional new additions. Many of my favorite are older films, as you’ll note, from the time when story was king. In a lot of these pictures Christmas scenes are tangental. Most have big stars and some are from really good directors. Some try to capture something of whatever the Christmas spirit is. While for others Christmas provides an interesting backdrop or is like one of the characters. 

I’ll not be detailing plot points, instead focusing on the many great performances that highlight these films as well as the picture's relation to the holiday season.

(The following are offered in no particular order.)

Fanny Alexander (1982) Bergman. We start off with the question of what constitutes a Christmas movie. I’ve wrestled with this question before. Here is my latest answer: a movie that centers around Christmas, is set around Christmas or has a significant Christmas scene. Fanny begins with a very long scene on Christmas Eve and then ignores the holiday completely for the rest of its several hours running time (I only consider the extended TV version worth watching). But what a glorious Christmas scene it is with all the pageantry, fun, food, gifts and family (seen through the eyes of a child) that can make the holiday seem magical. It is some of the best stuff on celluloid. The great Ingmar Bergman directed.


It’s A Wonderful Life (1946) Capra. It’s a wonderful film. Like F&A one of the greats of all time. It begins and ends on Christmas Eve with the vast middle exploring other times of year. It is sentimental (but not overly) with a simple but profound message. The fact that many people such as myself never tire after repeat viewings is a clear indication of its power. Jimmy Stewart, Donna Reed, Lionel Barrymore and Thomas Mitchell lead a fantastic cast featuring many of Hollywood’s Golden Age’s top supporting players (such as Ward Bond, H.B. Warner, Frank Faylen and Beluah Bondi).


Christmas in Connecticut (1945) Godfrey. Another picture I watch every year and never tire of. The first “pure Christmas” movie on the list it all takes place during the Christmas season, mostly on December 24 and 25. Barbara Stanwyck is radiant, Dennis Morgan is charming, Sidney Greenstreet, Una O’Connor, Reginald Gardner and S.Z. (Cuddles) Sakall round out a top notch cast. It’s a classic romantic comedy with a tight script more than ably directed by Peter Godfrey who, lamentably, never did anything nearly as good. 


Mon Oncle Antoine (1971) Jutra. A criminally underrated and under-appreciated movie (probably because it’s over 50 years old and French Canadian — you know how people are). The film is set entirely during Christmas in a rural Quebec mining town in 1949. It’s a coming of age story but a damn good one. Moving, beautifully shot. Realism tinged by the fantasy that is Christmas and being young. Thankfully TCM shows it every year.


The Shop Around the Corner
The Shop Around the Corner (1940) Lubitsch. It’s as close to perfect a film as has ever been made. Ernst Lubitsch directed. He was constitutionally incapable of making a bad picture. Jimmy Stewart is wonderful as are Frank Morgan and the rest of the cast — special shout out to Felix Bressart. Touching, warm, romantic and the story concludes most satisfactorily on a snowy Christmas Eve.

Rare Exports (2010) Helander. Finland’s (Hyvä Suomi!) contribution to the list. Most definitely a Christmas movie through and through centering as it does on the true story and secrets of Santa Claus. It’s an action/horror/fantasy comedy Christmas story all in 82 wild wonderful minutes. A different take on the typical holiday film, to be sure but one that is thoroughly enjoyable from beginning to end.


The Miracle of Morgan’s Creek (1943) Sturges. Another film that begins and ends and ends at Christmas with a vast middle that has nothing to do with the holiday. Indeed there’s very little reference to Christmas at all but it’s still a holiday favorite for me and countless others. Plus it’s a Preston Sturges film so you know it manages to be wild, whacky AND intelligent fun. Those Sturges comedies of the early/mid forties never disappointed and all stand up after repeat viewings. The real miracle of the Miracle of Morgan’s Creek is that they got this story of pregnant young girl (who doesn’t know who the father is) past the censors. Eddie Bracken and Betty Hutton star but William Demarest steals every scene he’s in.


Happiest Season (2020) DuVall. A fairly new addition to the list. Just had my second ever viewing of it and consider it now to be worthy of regular viewings. One of two LGBTQ friendly Christmas stories on my list, this a more modern take about coming out. It is largely predictable but great fun in getting to the inevitable and somewhat sappy conclusion. Kristen Stewart and Mackenzie Davis co-star but supporting players Daniel Levy and Aubrey Plaza are scene stealers.


Carol (2015) Haynes. Fully the first half is during the Christmas season and then we’re off into other times of the year. Cate Blanchett and Rooney Mara co-star in my favorite movie of 2015. Our second LGBTQ friendly film, this one set in a time when “no one” came out (the fifties). It’s heart-wrenching, heart-warming and moving and has more than enough Christmas in it to justify inclusion on this list. Todd Haynes’ direction, the set designs and costuming are significant co-stars. 


The Bishop’s Wife (1947) Koster. It stars Cary Grant as an angel, what more could you want? That Loretta Young and David Niven co-star (and James Gleason and Monty Woolley are supporting players) clinches the deal. If you’re curious about the word charming just watch Grant in this picture. He manages to be an angel without being preachy about it and rattling on about Jesus and God (who needs that?). Set entirely within the Christmas season ending on the day itself.


Home Alone (1990) Columbus and Home Alone 2 (1992) Columbus. Two more films that I find it impossible to tire of. You know the stories, you know the stars. Macaulay Caulkin was the precious Kevin, Joe Pesci and Daniel Stern were the cartoonishly evil bandits, Catherine O’Hara (the brilliant comic actress) was the frazzled mother. A cameo by the late great John Candy was a highlight of the original and a cameo by the detestable DJ Trumpy is the blight on the second.


Elf (2003) Favreau. Pure Christmas. Pure fun. It’s unimaginable with anyone but Will Ferrell as the oversized titular character. Bob Newhart plays his dad and Ed Asner is Santa. James Caan features as well. It’s a silly movie but the good kind that makes you smile and delight in child-like hi-jinks. For the kind of movie it is it’s excellent. A seasonal staple.


Alistair Sim in A Christmas Carol
A Christmas Carol (1951) Hurst. Except no substitute. This is the best (my humble opinion) cinematic rendering of Charles Dickens’ classic tale of the redemption of Ebeneezer Scrooge. Alistair Sim stars in a remarkable performance. He’s on the verge of chomping on the scenery but has just enough restraint to make his performance perfect. 

The Holdovers (2023) Payne. Still in theaters. Obviously the latest addition to the list, I believe it will become a seasonal regular. The missus and I saw it last month and enjoyed it a lot and I wrote a little about it on this blog. Excepting the very end it is set entirely around the Christmas season. Paul Giamatti shines as do co-stars Dominic Sessa and Da’Vine Joy Randolph.


The Thin Man (1934) Van Dyke. Okay not a very Christmasy movie but it does have scenes on Christmas Eve and Christmas Day. Anyway it is the first of the delightful Thin Man series starring William Powell and Myrna Loy and if there’s a better regular screen pairing in cinema history I haven’t heard of it. Nick and Nora Charles (and their dog Asta) tipple their way through life wise-cracking all the way. They also solve murders. This is the best of the series.


Trading Places (1983) Landis. Somewhat of a hybrid Christmas and New Year’s Eve movie. SNL alums Dan Aykroyd and Eddie Murphy co-star along with Jamie Lee Curtis in one of the few really good comedies to come out of the Eighties. It constantly edges towards poor taste but stops short enough for me and is damn funny fun along the way. Begins during the Christmas season and continues just past the new year.


Others to consider: Meet John Doe, It Happened on Fifth Avenue, Remember the Night, A Christmas Tale, Miracle on 34th Street, A Christmas Carol (1938), The Muppets Christmas Carol, The Man Who Came to Dinner, A Boy Named Christmas, Klaus.

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