22 July 2026

The Big Apple in Film: Ten Terrific Films That Capture Different Times and Parts of New York

Manhattan

Regular readers of this blog (I’m looking at you Goliath McGillicuddy of Comptche, California) may recall that one month ago on this day I wrote a post highlighting ten great films set in Los Angeles. In said post I noted that New York has had far more excellent films as its setting. In fact I’d suggest that there are more good films set in New York than in all other American cities combined (prove me wrong). Here I offer some proof. I have not set out to merely list my ten favorite pictures set in the Big Apple. Instead I’ve come up with different types of films set in different parts of New York at different times. As you will note, there’s not a stinker in the bunch. As further evidence of how many excellent films have been set in the city that never sleeps, I conclude by listing another seventeen movies worth considering. Please enjoy. 

Manhattan (1979) Allen. The most beautiful iteration of New York on film. The opening shots — in glorious black and white —- will make you fall in love with the city. The rest of the movie will enrich that love. A lot of the indoor shots, like of Zabars and the Natural History Museum and Elaine’s further add to the film’s stylistic and visual appeal.


Taxi Driver (1976) Scorsese. This is the gritty (why not say, ugly?) side of New York in its not so fabulous seventies as in the 1970’s. It’s stark, it’s real and the rainswept streets at night are somehow mesmerizing. 


Inside Llewyn Davis (2013) Coens. Early Sixties New York, much of it in Greenwich Village at the time of the beats, folk music and the emergence of a man named Bob Dylan. It evokes guitars cigarette smoke, and times that were a changing.


Do the Right Thing (1989) Lee. Hot Summer Harlem. It’s one of those films that practically make you sweat just watching it. One of its biggest pluses is seeing a not-often-depicted part of New York, specifically where people of color live.


The Age of Innocence (1993) Scorsese. Again Martin Scorsese helps us explore this amazing city though in this case we’re time traveling to the 1880s seeing New York Edith Wharton style. This is a not fully developed New York but a fascinating one featuring the old money rich and their luxurious abodes.


Sweet Smell of Success (1956) Mackendrick. New York in the 1950s and mostly at night. Night clubs, bars, offices and the streets feature. Men in suits, women in dresses, everyone smoking and drinking cocktails, catching cabs, lying and scheming. The scenery is class, the people, not so much.


My Man Godfrey (1936) La Cava. Depression era New York replete with Hoovervilles and the plush homes of the wealthy. It’s mostly a classy New York with sophisticated banter but the “home” of the forgotten men is not to be forgotten.


Radio Days (1987) Allen. New York during the second world war with the radio always in the background. Middle class homes, nightclubs, gorgeous movie theaters, amusement parks, radio shows, this is a film rich in its period. So much so that it’s hard to believe it wasn’t filmed in the forties.


The Naked City (1948 Dassin. Not a great film but a very good one and excellent as a police procedural. The pursuit of the suspects takes audiences all over late forties NY and in a vivid black and white. Shot on location documentary style. It’s a great way to visit New York in a specific time in the past.


Saturday Night Fever (1977) Badham. Another look at New York in the Seventies but this time it’s mostly Brooklyn and it’s with a disco beat. Saturday Night Fever is a darker film than most people realize and does little to glamorize its world, except perhaps for the discotheque where one can experience night fever.


Others to consider: Annie Hall, Dog Day Afternoon, Requiem for a Dream, The Royal Tenenbaums, The Landlord, The Producers, Birdman, Three Days of the Condor, Mean Streets, The King of Comedy, The Thin Man, The Apartment, Goodfellas, Serpico, The French Connection, Uncut Gems and Midnight Cowboy.

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