23 September 2024

Writers Block, Musings on Death, Two Films and Loved Ones Gone

His Three Daughters

My latest struggles with writing cause me to wonder if it’s all over. Is my mind starting to fade? Is this the beginning of the end? I used to be able to put a thousand words on paper with ease. I could conjure a piece of fiction upon request. I could sit down for hours and write only stopping occasionally to stretch. Is that gone? Forever?

Here I search for a topic. Many flit through my brain through the course of a normal day. But they don’t alight and I can’t grasp them. 


Grasp.


Why do people say, exempli gratia, I’m going to grab lunch instead of I’m going to grasp lunch? It makes as much sense.


(There has been — unnoticeable to the reader — a long pause sense the preceding sentence. The writer again is unable to find the next line, or any line, the next thought, or any thought.)


Finally…..


I am preoccupied with death, specifically my own. (This, by the way, is no way to go through life, better to enjoy each day, one day at a time and all that.) In any event the last four movies I've seen have dealt with death to one degree or another, in fact two of them were specifically about coping with the death(s) of others. These two films were All of Us Strangers (Haigh)and His Three Daughters (Jacobs). Strangers I saw initially in January during its theatrical run and again Saturday via Hulu. Daughters is a brand spanking new release now on Netflix. Strangers is a difficult film to capsulize but suffice it to say it is the story of a man dealing with the death of his parents which occurred many years before when he was twelve. There’s another critical element to the story but discussing that would be a major spoiler. Mourning periods can last a few days, months, years or a lifetime. People process the deaths of loved ones in myriad ways. All of Us Strangers explores one person’s delayed means of coping and gaining a sense of closure. It's an unusual film in the best possible sense and is highlighted by a great performance by the brilliant Andrew Scott.


His Three Daughters is about a father at home in hospice surrounded by his three grown daughters who are ostensibly there to aid in his transition from the living. While Dad is the raison d'etre for their presence there is much more to the story than that. The sisters are not terribly close, there are old wounds, resentments and misunderstandings — a dying parent adds another layer of stress. The film has been -- aptly -- called a chamber piece. Most of it is set in a New York apartment and most of the screen time is occupied by the three daughters wonderfully realized by Carrie Coon, Elizabeth Olsen and Natasha Lyonne. None of them are acting, they are embodying characters in such a powerful way as to make a potentially depressing story enthralling.


When my mother died I was nonplussed. I’d had very little contact with her for the previous twenty-five years. She was a paranoid schizophrenic who’d made my childhood….not perfect. I shed no tears upon her passing.In the years that followed  I posthumously forgave her and grieved not her death but her life. God how I wish fate had been kinder to her and thus to me.


My father’s death was a different matter. It was slow and we had plenty of time to prepare. Sixteen years later I’m still processing it and dealing with feelings about him. I’ve written a lot about him and he will be the topic of a talk I’m giving at a Finnish Independence Day celebration in December. He is something of a hero to me though I recognize his flaws all too well. 


I’ve had to suffer the premature losses of most of my close friends, two of whom died within a few months of each other, both unexpectedly. It was not long after my only brother had died too.


I miss them all and it’s interesting to note how frequently they and my father appear in my dreams, always alive and well. It’s impossible to accept the permanence of the death of a loved one. It’s natural that we talk and hope of seeing them on the other side.


A former student of mine, who I see from time to time because he’s best friends with one of my nephews, suffered the death of his son last Christmas Day. The day before the boy was to turn six-years-old. That’s an unimaginable type of pain, probably the worst there is. Life is so cruel that the internal question why most constantly be asked, if never answered. 


But we the living owe it to ourselves to cherish everyday as best we can. That’s quite simple in principle but for someone such as myself who suffers from occasional bouts of horrid depression it’s not manageable. I guess one has to do the best they can.


Well I’ve at least given lie to the notion that my writing is dead. I’ve completed this later in the day after starting in the morning but it still constitutes a decent bit of writing, particularly given that I taught a class, graded papers and planned a lesson in the interim. I’ve also been wracked by depression. Completing this helps. Thanks to anyone who read this far.

11 September 2024

My All-Time Academy Award Winners

Paul Newman in The Verdict, my best actor winner

The premise here is simple. These are the Academy Award winners from all films ever made as selected by yours truly. I have ten nominees in each category. The winner is listed first and is in bold. The remaining films on each list are in no particular order except for the categories of best foreign language films and best motion pictures. I was going to note which ones won actual Academy Awards but I don’t have enough respect for the Oscars to be bothered.

Best Editing

Dede Allen -- Dog Day Afternoon (1975) Lumet

Tom Rolf and Melvin Shapiro -- Taxi Driver (1976) Scorsese 

Bill Butler -- A Clockwork Orange (1971) Kubrick

Lee Catozzo -- 8 1/2 (1963) Fellini

Dorothy Spencer -- Foreign Correspondent (1940) Hitchcock

Thelma Schoonmaker -- Raging Bull (1980) Scorsese

Ulla Ryghe -- Persona (1966) Bergman

David Bretherton -- Cabaret (1972) Fosse

Joe Hutshing and Pietro Scalia -- JFK (1991) Stone

Norman Gay and Evan A. Portman -- The Exorcist  (1973) Friedkin


Best Cinemaphotography

Gordon Willis -- Manhattan (1979) Allen

Winton C. Hoch --The Searchers (1956) Ford

John Alcott -- Barry Lyndon (1975) Kubrick

Christopher Doyle, Pun Leung Kwan and Ping Bin Lee -- In the Mood for Love (2000) Wong

Gregg Toland -- Citizen Kane (1941) Welles

Joseph H. August -- The Devil and Daniel Webster (1941) Dieterle

Stanley Cortez -- The Night of the Hunter (1955) Laughton

Lukasz Zal -- Cold War (2018) Pawlikowski

Georgi Rerberg -- Mirror (1975) Tarkovsky

Jost Vacano -- Das Boot (1981) Peterson


Best Adapted Screenplay

Nunnally Johnson -- Grapes of Wrath (1940) Ford

John Huston -- Treasure of the Sierra Madre (1948) Huston

Peter Bogdanovich -- The Last Picture Show (1971) Bogdanovich

Sidney Buchman, Lewis R. Foster and Myles Connolly -- Mr. Smith Goes to Washington (1939) Capra

Steve Kloves  -- Wonder Boys (2000) Hanson

Sally Benson and Alma Reville -- Shadow of a Doubt (1943) Hitchcock

Sergio Amidei, Federico Fellini and Roberto Rossellini -- Rome: Open City (1945) Rossellini

Charles Lederer, Ben Hecht and Charles MacArthur -- His Girl Friday (1940) Hawks

Gerard Brach and Roman Polanski -- Tess (1979) Polanski

Aki Kaurismäki -- La Vie de bohème (1992) Kaurismäki


Best Original Screenplay

Ethan and Joel Coen -- The Big Lebowski (1998) Coen

Robert Towne and Roman Polanski -- Chinatown (1974) Polanski

Jules J. Epstein, Howard Koch and Murray Burnett -- Casablanca (1942) Curtiz

Haruki Murakami, Ryûsuke Hamaguchi and Takamasa Ôe -- Drive My Car (2021) Hamaguchi

Charles Brackett, Billy Wilder and D.M. Marshman Jr. -- Sunset Blvd. (1950) Wilder

Woody Allen -- Midnight in Paris (2011) Allen

Louis Malle -- Au Revoir Les Enfants (1987) Malle

Paul Schrader -- Taxi Driver (1976) Scorsese 

Quentin Tarantino -- Once Upon a Time in Hollywood (2019) Tarantino
Danny Rubin and Harold Ramis -- Groundhog Day (1993) Ramis


Best Documentary Feature

Hearts and Minds (1974) Davis

Monterey Pop (1968) Pennebaker

The Sorrow and the Pity (1969) Ophüls

When We Were Kings (1996) Gast

Heart of Darkness: A Filmmaker’s Apocalypse (1991) Bahr,  Hickenlooper and E. Coppola

Shoah (1995) Lanzman

Woodstock (1970) Wadleigh

Wild Man Blues (1997) Kopple

Grizzly Man (2005) Herzog

Chris & Don. A Love Story (2007) Mascara/Santi


Best Foreign Language Film

Winter Light (1963) Bergman

Au Revoir Les Enfants (1987) Malle

Stalker (1979) Tarkovsky 

The Seventh Seal (1957) Bergman

Fallen Leaves (2023) Kaurismäki

Nights of Carbiria (1957) Fellini

Rome: Open City (1945) Rossellini

8 1/2 (1963) Fellini

In the Mood for Love (2000) Wong

Umberto D (1952) De Sica


Best Supporting Actor

Edward G. Robinson — Double Indemnity (1944) Wilder

Christoph Waltz — Inglorious Basterds (2009) Tarantino

Denzel Washington — Glory (1989) Zwick

James Gleason — Meet John Doe (1941) Capra

Joe Pesci — Goodfellas (1990) Scorsese

Walter Huston — The Devil and Daniel Webster (1941) Dieterle

Thomas Mitchell —  It's a Wonderful Life (1946) Capra

Robert Downey Jr. — Zodiac (2007) Fincher

Javier Bardem — No Country for Old Men (2007) Coen

Samuel L. Jackson — Pulp Fiction (1994) Tarantino


Best Supporting Actress

Jane Darwell — Grapes of Wrath (1940) Ford

Claire Trevor — Stagecoach (1939) Ford

Angela Lansbury — The Manchurian Candidate (1962) Frankenheimer

Cloris Leachman — The Last Picture Show (1971) Bogdanovich

Dianne Weist — Hannah and Her Sisters (1986) Allen

Janet Leigh — Psycho (1960) Hitchcock
Lorraine Bracco — 
Goodfellas (1990 Scorsese

Penelope Cruz — Vicky Cristina Barcelona (2008) Allen

Lupita Nyongo’o — 12 Years a Slave (2013) McQueen

Allison Janey — I, Tonya (2017) Gillespie


Best Lead Actor

Paul Newman — The Verdict (1982) Lumet

Al Pacino — The Godfather (1972) Coppola 

Jack Nicholson — The Last Detail (1973) Ashby

Casey Affleck — Manchester by the Sea (2016) Lonergan

Max Von Sydow — Through a Glass Darkly (1961) Bergman

Michael Keaton — Birdman (2014) Iñárritu

Colman Domingo — Rustin (2023) Wolfe

Al Pacino — Dog Day Afternoon (1975) Lumet

Paul Newman — Hud (1963) Ritt

Marcello Mastrioni — A Special Day (1977) Scola


Best Lead Actress

Gena Rowlands — A Woman Under the Influence (1974) Cassavetes

Cate Blanchett — Blue Jasmine (2013) Allen

Giulietta Masina — Nights of Carbiria (1957) Fellini

Bette Davis — The Letter (1940) Wyler

Ingrid Bergman — Stromboli (1950) Rossellini

Liv Ullman — Shame (1968) Bergman

Barbara Stanwyck — The Lady Eve (1941) Sturges

Gloria Swanson — Sunset Blvd. (1950) Wilder

Faye Dunaway — Chinatown (1974) Polanski

Liza Minelli— Cabaret (1972) Fosse


Best Director

Martin Scorsese — Goodfellas (1990) 

Howard Hawks His Girl Friday (1940) 

Roman Polanski -- Chinatown (1974) 

John Ford — The Searchers (1956)

Woody Allen — Match Point (2005) 

Ingmar Bergman -- Winter Light (1963) 

Andrei Tarkovsky — Stalker (1979) 

Peter Bogdanovich -- The Last Picture Show (1971) Bogdanovich

Federico Fellini -- 8 1/2 (1963) 

Francis Ford Coppola -- The Godfather (1972) 


Best Motion Picture

His Girl Friday (1940) Hawks

Manhattan (1979) Allen

Goodfellas (1990 Scorsese

The Last Picture Show (1971) Bogdanovich

The Godfather (1972) Coppola

Winter Light (1963) Bergman

Au Revoir Les Enfants (1987) Malle

Chinatown (1974) Polanski

The Searchers (1956) Ford

Duck Soup (1993) McCarey