08 June 2026

Relating to Students is Overrated, Understanding Them is Not, More on the Art of Teaching


I remember a teacher workshop from about ten years ago. I was in a group of five or six teachers. We were asked to name our greatest strength as a teacher. I think we were given some examples. The first person said it was his ability to relate to students. The second teacher said the same as did everyone else until it got to me. I was last. Before I talk about what I said let me point something else out: all teachers think that they can relate to students, even — maybe especially — ones who can’t. I remember in particular one of the teachers in the group that day was an older woman (older even than me!). I think she was used only as a sub and I recall that she was eventually let go. This woman could no more relate to students than I can relate to aardvarks. But she’d deluded herself into thinking that she was a “cool teacher” who “got” students and who students liked. There’s a lot of that. In a way it's a good thing. If you think you can't relate to students then what the hell are you doing there? But it's not as easy as it sounds and in many ways it's not as important as it sounds. If you can't relate to students but they learn from your class isn't that good enough.

Countless times during my career I’ve heard teachers talk about an activity they use in class and say something like: “the students love it.” No they don’t. Okay, sometimes they do but a lot of times I’ve known for a fact that students didn’t “love it” or even like it. One of the biggest problems that a lot of teachers — especially those who are new at the game — have: they haven’t a clue how students perceive them or their lessons and worse they think everything is hunky dory even when it isn't.


The first time I stood in front of a middle school class I was lecturing about a topic in U.S. History. As far as I knew everything was peachy. But at one point a student interrupted and quietly pointed out: “ain’t no one listening to you.” I looked around the room and I mean I carefully looked around the room and noted that the young man was right. 


Over the years I learned how to “read a room.” I can tell if I’m losing a class, or half a class, or several students or one student. It’s second nature to me now. It was an impossibility for me at the beginning of my career as it remains for many teachers throughout much if not all of their time as a teacher. 


Recognizing how a class is responding to a lesson is critical in teaching. Because I can do it I regularly “call audibles.” Students are zoning out after too much grammar? I stick them in groups and give them a few lively topics to discuss. Students haven’t really understood something? Instead of moving on to the next topic we stick with it for awhile. 


You look for bored faces. You look for confused faces. You look for frustrated faces. You also look for content and happy and satisfied faces. Students will tell you how they feel without saying a word. It’s crucial in ESL because students from a lot of cultures — particularly Asian ones — are hesitant about asking questions, especially when they flat out don’t understand. 


(I once had a class of eight Japanese students. On Thursday we reviewed the week's vocabulary. When we finished I asked for any questions, if there were any words they ween't clear on. Silence. The next day I gave a vocabulary test and six of the eight did poorly, they clearly didn't understand most of the words. I gave them a lecture about the importance of asking questions then I invented a question-asking exercise on the spot. They got better.)


Let’s circle back to the first paragraph. So how about it? Can I relate to students? Yeah, I suppose. But more importantly I can sense their needs. I generally know when they don’t understand, when they need to talk, when a certain activity isn’t to their liking, when they could use a laugh, when I need to be a little tough, when I need to give some TLC or a pep talk. I know how to read a room.


I probably come off as a braggart. I’m not. I take teaching — not myself — quite seriously. I’ve been doing it for forty years. I’ve learned one helluva lot about the job. Anyway, I’m just stating facts. I never refer to myself as a “great” teacher — no good teacher does, I’m simply doing my job as best I can.


You may be wondering what I said was my greatest strength as a teacher that day. Here it is: I’m reflective and have the ability to see when a lesson had a problem and needs tweaking and when a lesson went well and how to maximize it.


I felt kind of bad about my answer because it seemed like I was showing up the other teachers. Didn’t mean to, just being honest. Anyway, they probably didn’t notice.

04 June 2026

After a Four-Year Hiatus, Film Quotes is Back!

Leonardo DiCaprio and Brad Pitt in Once Upon a Time... in Hollywood
Can you believe it’s been nearly four years (June 8, 2021) since the last edition of Film Quotes? I can too. But before we get into angry recriminations over the long absence or over the return of this beloved/reviled feature. Let’s enjoy some real quotes by real actors playing real characters in real movies. Enjoy!

Hey! You're Rick fucking Dalton. Don't you forget it. - Brad Pitt as Cliff Booth in Once Upon a Time... in Hollywood.


I saved Latin, what did you ever do? — Jason Schwartzman as Max Fischer in Rushmore.


Every act of preservation is an act of creation. Everything preserved renews creation. It's how we participate in creation. — Ethan Hawke as Ernst Toller in First Reformed.


Wait a minute. I'll decide with whom my wife is going to have dinner and whom she's going to kill. — Jack Benny as Joseph Tura in To Be or Not to Be.


In Hyde Park, for instance, some people like to feed nuts to the squirrels. But if it makes you happy to feed squirrels to the nuts, who am I to say, "nuts to the squirrels?” — Charles Boyer as Adam Belinski in Cluny Brown.


I've got a little Latino Harriet Tubman situation going on at my place. All legit. From the heart. No cash. — Teyana Taylor as Perfidia in One Battle After Another.


Hey, who decorated this place, the mug who shot Lincoln?. — Barbara Stanwyck as Sugarless O'Shea in Ball of Fire.


Excuse me. Could you give us some change, please? The doctor said we have asthma and we have to eat ice-cream right away. — Brooklyn Prince as Moonee in The Florida Project.


If it takes a watermelon five minutes to water. How long does it take a sweetpea to pee? As long as it takes a pair of dice to crap.— Elliot Gould  as Charlie Waters in California Split.


Somebody once wrote, "Hell is the impossibility of reason." That's what this place feels like. Hell. I hate it already, and it's only been a week. Some goddamn week. — Charlie Sheen as Chris Taylor in Platoon.


I'm not the guy you kill. I'm the guy you buy! Are you so fucking blind that you don't even see what I am? I sold out Arthur for 80 grand. I'm your easiest problem and you're gonna kill me? — George Clooney as Michael Clayton in Michael Clayton.


I met a wonderful man downstairs. He seemed to like me. He said I reminded him of his wife who's dead. But I assume he meant when she was alive. — Elaine May as May Sloane in Small Time Crooks.


Let me ask you one thing. Do you think - after we've dried off, after we've spent lots more time together - you might agree *not* to marry me? And do you think not being married to me might maybe be something you could consider doing for the rest of your life? — Hugh Grant as Charles in Four Weddings and a Funeral.


What am I doing apologizing to you? Why am I ALWAYS apologizing to you, you little bastard? Three months I've been apologizing to you without you even being here! I haven't done anything wrong. Why can't I quit apologizing? You the one ought to be sorry! — Cloris Leachman as Ruth Popper in The Last Picture Show.


Oh, stay jealous, babe. Stay jealous, honey. Jealousy is a disease, remember that, Diamond. I'm just gonna go chill in my mansion or whatever, you know, no big deal! — Mikey Madison as Ani in Anora.


I am constantly surprised that women's hats do not provoke more murders. — Charles Laughton as Sir Wilfred in Witness for the Prosecution.


I remember reading somewhere that men learn to love the person that they're attracted to, and that women become more and more attracted to the person that they love — James Spader as Graham in Sex, Lies and Videotapes..


It was a pet, not an animal. It had a name, you don't eat things with names, this is horrific! — Peter Riegert as Mac in Local Hero.


What's this for? For bein' an honest cop? Hmm? Or for being stupid enough to get shot in the face? You tell them that they can shove it. — Al Pacino as Frank Serpico in Serpico.


I was a big slut, but I'm not anymore. There will always be a part of me that is sloppy and dirty, but I like that, just like all the other parts of myself. I can forgive. Can you say the same for yourself, fucker? Can you forgive? Are you capable of that? — Jennifer Lawrence as Tiffany Maxwell in Silver Linings Playbook.


She needs *me*. It's not as if is she were a maniac, a raving thing. She just goes - a little mad sometimes. We all go a little mad sometimes. Haven't you? — Anthony Perkins as Norman Bates as Psycho.


I don't think I could ever get used to being poked and prodded like that. I told my proctologist one time, "Why don't you take me out to dinner and a movie sometime?” — Fred Willard as Buck Laughlin in Best in Show.